Pendekar Tongkat Emas Pesantren Impian 2016. Like & follow us on social networking sites to get the latest updates on movies. Sissy, a model, came with her friend, Inong, who keeps their own problems.
Still, his fever dreams of riches are well within reach, and Effected is a confident step toward turning what used to be fantasy into cold, hard reality.Pesantren Impian. He’s precocious enough to examine himself and the dynamics affecting him, but still too young, or too inexperienced, to articulate a distinct artistic vision. Over a sinister, creeping groove reminiscent of Dogg Pound-era Kurupt, Cozz is assured and revealing: “I guess I gotta write my problems down, because in my lifetime/Ain’t no one in my eyesight that I can trust with my lifeline.” Cozz, it figures, is the most honest man he knows, the only person he can confide in. He flows with confrontational swagger atop TDE producer Tae Beast’s eerie bounce on “Van Ness” and proves he’s capable of ditching his more “conscious” sound on the somewhat gimmicky but undeniably hard “Ignorant Confidence.” On the title track, featuring the album’s most explicitly West Coast sound, Cozz shows off his depth, switching nimbly between different mental states-vulnerable, defensive, paranoid, confident. But Cozz also steps up to rope the listener in with a combination of zeal and detail: “This probably your uncle’s song/Probably your big brother’s song/Your father or your mother’s song/I understand your circumstance,” he spits, convincingly positioning himself as an all-seeing everyman.Ĭozz is capable of tearing up pretty much any track he hops on, but he’s most fun over beats that match his bristling intensity.
“Hustla’s Story,” a slow-burning and perceptive assessment of urban life’s many traps-addiction, prostitution, absent parents-reawakens his gift for narrative, and brings along a Section.80-sounding Kendrick for the ride. The song where he lusts after women of a certain age, “Freaky 45,” and the Kendrick-featuring “Hustla’s Story” are two examples of the types of locked-in grooves that add color to Cozz’s storytelling rather than stripping it down. These are beats that sound smarter than they really are-saxophone samples and slow-crawling bass abound, but very few of the more pensive beats stick out after a few listens, and the more lackluster ones force the charismatic, quick-witted Cozz to over-exert where Cole would’ve simply navel-gazed. The album’s producers, led by Cozz’s longtime partner Meez, bring a practiced but somewhat one-dimensional take on jazzy, head-nodding instrumentals that often do more to harness Cozz than liberate him.
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